Something Different 

I took a small break from updating my blog this month.  Actually I took a small break from writing all together.  I realized that if I am to have any semblance of a writer's life it can't be lived confined to the four walls of my office.  That and I wanted to quit smoking.

Everything was fine until I started thinking of writing.  Then I started thinking of this blog.  And it all made me wonder when is enough enough?  Some of the greatest writers in history are built of off epic lives.  Fighting in wars, drugs, partying and enduring societal abuse are common.  The drive to write becomes an outlet, a way of coping with these lives.  But when we sit and write we are channeling these experiences not creating more. And it is inevitable that the creative well will go dry after enough draining.

So I pose a question; where is the middle ground?  How do you find balance in your life between living it and writing it?

On a side note it has been 432 hours since I smoked a cigarette.

Under Payed

If you were to map out how much time you spend on research and writing; would it be worth it? In truth I probably make around $0.10 an hour if I am lucky. I spend a lot of time both researching and polishing my material. This makes writing for dollars somewhat frustrating. But we didn't get into this to become billionaires did we? No writing is a passion. Writers don't choose to write, it chooses them. I write to survive, get the voices out of my head and be heard. Why do you write?

A Carrot On A Stick

It's time to talk about having goals. Having day dreams of crowded book signings and readings is great. But how will you get there without laying out a path for yourself? Goals. When your career path specifically goes through the dark woods of creativity it is easy to get lost along the way. Unless you give yourself clear cut goals both short term and long term you will not succeed in this field. So where should you start mapping your path to success?

Word Count - This is a very basic starting point. Pick a word count for yourself to hit every day. I try never to write any less than 250 words per day. Now for me that is a relatively low number and very easy to hit. But that is the point. If I set it at 3000 words and have a fully stacked schedule that prevents me from hitting my goal I will feel like a failure. Negativity is counter productive to creativity. Start small and remember slow and steady wins the race.

Literary Magazines - Both online and small press literary magazines publish on a monthly and sometimes weekly basis. These make for great short term publishing goals and also allow you to gauge the quality of your writing. I try and submit to at least one magazine a month and shoot for at least 4-5 publications a year.

Now remember every good system of goals has an even better system of rewards. In a career where you work largely alone you need to reward yourself for meeting goals. If you make your word count every day for a month treat yourself to a movie or dinner. Just don't ever reward yourself by taking the day off of writing. This is a seven day a week 365 day a year job you chose and you can't risk taking time off. If you can help cut a path for yourself with small goals you will reach your larger ones. And in the end seeing that book on a store shelf will be a greater reward than anything you can give yourself.

Some great advice in a letter from John Steinbeck written to writers who are just getting started.

"Dear Writer:
Although it must be a thousand years ago that I sat in a class in story writing at Stanford, I remember the experience very clearly. I was bright-eyes and bushy-brained and prepared to absorb the secret formula for writing good short stories, even great short stories. This illusion was canceled very quickly. The only way to write a good short story, we were told, is to write a good short story. Only after it is written can it be taken apart to see how it was done. It is a most difficult form, as we were told, and the proof lies in how very few great short stories there are in the world.
The basic rule given us was simple and heartbreaking. A story to be effective had to convey something from the writer to the reader, and the power of its offering was the measure of its excellence. Outside of that, there were no rules. A story could be about anything and could use any means and any technique at all – so long as it was effective. As a subhead to this rule, it seemed to be necessary for the writer to know what he wanted to say, in short, what he was talking about. As an exercise we were to try reducing the meat of our story to one sentence, for only then could we know it well enough to enlarge it to three- or six- or ten-thousand words.
So there went the magic formula, the secret ingredient. With no more than that, we were set on the desolate, lonely path of the writer. And we must have turned in some abysmally bad stories. If I had expected to be discovered in a full bloom of excellence, the grades given my efforts quickly disillusioned me. And if I felt unjustly criticized, the judgments of editors for many years afterward upheld my teacher’s side, not mine. The low grades on my college stories were echoed in the rejection slips, in the hundreds of rejection slips.
It seemed unfair. I could read a fine story and could even know how it was done. Why could I not then do it myself? Well, I couldn’t, and maybe it’s because no two stories dare be alike. Over the years I have written a great many stories and I still don’t know how to go about it except to write it and take my chances.
If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes, but by no means always, find the way to do it. You must perceive the excellence that makes a good story good or the errors that makes a bad story. For a bad story is only an ineffective story.
It is not so very hard to judge a story after it is written, but, after many years, to start a story still scares me to death. I will go so far as to say that the writer who not scared is happily unaware of the remote and tantalizing majesty of the medium.
I remember one last piece of advice given me. It was during the exuberance of the rich and frantic ’20s, and I was going out into that world to try and to be a writer.
I was told, “It’s going to take a long time, and you haven’t got any money. Maybe it would be better if you could go to Europe.”
“Why?” I asked.
“Because in Europe poverty is a misfortune, but in America it is shameful. I wonder whether or not you can stand the shame of being poor.”
It wasn’t too long afterward that the depression came. Then everyone was poor and it was no shame anymore. And so I will never know whether or not I could have stood it. But surely my teacher was right about one thing. It took a long time – a very long time. And it is still going on, and it has never got easier.
She told me it wouldn't.
1963
John Steinbeck"